I watched Pedro Almodovar's lastest film "Los Abrazos Rotos" the other day. I have always been a huge Almodovar fan and this film did not disappoint. If a film can keep me focused for more than 20 minutes, it serves as an indication that I am going to like it - when it comes to films, books and music; if I am not captured by it instantly, I tend to get bored. Boredom leads to me wanting to do anything but sit infront of a TV/computer and relax.
Penelope Cruz's performance was fantastic, and she manages to look more and more Hepburn-esque with each film. If there is ever going to be a biopic of Audrey, Cruz will have to play her.
The film revolves around the themes of seeing (watching) and feeling. Colours, especially red, feature a lot of the time: perhaps it is an "Almodovarian" theme too.
Roger Ebert gave the film 100/100 (in my humble opinion, I would agree).
Other Almodovar must-see films:
Entre Tinieblas (Dark Habits): The narrative centers upon a cabaret singer, who, running away from justice, finds refuge in a convent of destitute nuns, each of whom explores a different sin. The mother superior, a lesbian drug addict falls, in love with the singer.
Todo Sobre Mi Madre (All About My Mother): the story of a mourning mother who, after reading the last entry in her dead son's journal about how he wishes to meet his father for the first time, decides to travel to Barcelona in search of the boy's father. She must tell the father that she had their son after she left him many years ago, and that he has now died. Once there, she encounters a number of odd characters - a transvestite prostitute, a pregnant nun, and a lesbian actress - all of whom help her cope with her grief.
Hable con ella (Talk to her): The film revolves around two men who become friends while taking care of the comatose women they love. Their lives flow in all directions, past, present and future, pulling them towards an unsuspected destiny. Unexpected conclusion.
La mala education (Bad Education): A richly baroque tale of child sexual abuse and mixed identities. Two children, Ignacio and Enrique, discover love, cinema and fear in a religious school at the start of the 1960s. Father Manolo, the school principal and their literature teacher, is witness to and part of these discoveries. The three characters meet twice again, at the end of the 1970s and in the 1980s, or so it seems.